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They toss a ball back and forth and dream of fleeing their small town to visit California, promising they’ll be “friends to the top,” and it’s the kind of intense bond best pals share when they’re tweens, before puberty hits and girls become a distraction.
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Babbit delivers the best of both worlds with a real and touching romance that blossoms amidst her wildly entertaining satire. While Megan and Graham will be the central love story, the ensemble of attempt-hard nerds, queercore punks, and mama’s boys offers a little something for everyone.
It doesn’t get more romantic than first love in picturesque Lombardo, Italy. Throw within an Oscar-nominated Timothée Chalamet being a gay teenager falling hard for Armie Hammer’s doctoral student, a dalliance with forbidden fruit and in A serious supporting role, a peach, and you’ve obtained amore
Hopkins’ Hannibal Lecter is one of the great villains in film history, pairing his heinous acts with just the right volume of warm-however-slightly-off charm as he lulls Jodie Foster into a cat-and-mouse game for that ages. The film had to walk an extremely fragile line to humanize the character without ever falling into the traps of idealization or caricature, but Hopkins, Foster, and Demme were capable to do specifically that.
A married gentleman falling in love with another person was considered scandalous and potentially career-decimating movie fare in the early ’80s. This unconventional (in the time) love triangle featuring Charlie’s Angels
Tailored from Jeffrey Eugenides’s wistful novel and featuring voice-over narration lifted from its pages (study by Giovanni Ribisi), the film friends into the lives of the Lisbon sisters alongside a clique of neighborhood boys. Mesmerized from the willowy young women — particularly Lux (Kirsten Dunst), the household coquette — the young gents study and surveil them with a way of longing that is by turns amorous and meditative.
Besson succeeds when he’s pushing everything just a little bit far too far, and Reno’s lovable turn while in the title role helps cement the movie as an city fairytale. A lonely hitman with a heart of gold and a soft spot for “Singin’ inside the Rain,” Léon is perhaps the purest movie simpleton to come out of the 10 years that manufactured “Forrest Gump.
The people of Colobane are desperate: Anyone who’s anyone has left, its properties neglected, its remaining leaders inept. A serious infusion of cash could really turn things around. And she or he makes an offer: she’ll give the town riches further than their imagination if they conform to eliminate Dramaan.
Emir Kusturica’s characteristic exuberance and frenetic pacing — which often feels like Fellini on Adderall, accompanied by a lesbian strapon raucous Balkan brass band — reached a fever pitch in his tragicomic masterpiece “Underground,” with that raucous Vitality spilling across sexy video sexy video the tortured spirit of his beloved Yugoslavia because the country endured through an extended period of disintegration.
Where do you even start? No film on this list — up to and including the similarly conceived “Twin Peaks: Fire Walk with Me” — comes with a higher barrier of entry than “The tip of Evangelion,” just as no film on this list is as quick to antagonize its target viewers. Essentially a mulligan within the last two episodes of Hideaki Anno’s totemic anime series “Neon Genesis Evangelion” (and also a reverse shot of sorts for what happens in them), this biblical psychological breakdown about giant mechas and also the rebirth of life on this planet would be absolute gibberish for anyone who didn’t know their NERVs from their SEELEs, or assumed the Human Instrumentality Project, was just some very hot new yoga trend.
In “Weird Days,” the love-Ill grifter Lenny Nero (Ralph Fiennes), who sells people’s memories for bio-VR escapism within the blackmarket, becomes embroiled in a vast conspiracy when among his clients captures footage of a heinous crime – the angelic tgirl jessica villareal gets his booty tamed murder of the Black political hip hop artist.
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When Satoshi Kon died from pancreatic cancer in 2010 with the tragically premature age of forty six, not only did the film world lose among its greatest storytellers, it also lost one among its most gifted seers. No person experienced a more exact grasp on how the electronic age would see fiction and reality bleed into each other about the most private levels of human notion, and all four on the wildly different features that he made in his quick career (along with his masterful Television show, “Paranoia Agent”) are bound together by a shared preoccupation with ass fetish dudes need women who know how to satisfy them the fragility in the self inside the shadow of mass media.